James H. McKenzie (1862-1952): Life & Labour – Part 2
“I got into their favour quickly, for I was always alert to any job, I was called upon to do.”
James H. McKenzie (p65)
After leaving the care of his aunt and uncle, James McKenzie decided that he would embrace his desire for wanderlust and see where it took him. During his travels, James made up his mind ‘to go to the seaside, to Portsmouth’ (54). James encountered many strangers on his journey to Portsmouth and states that one of these strangers offered him an opportunity that resulted in a lengthy association of seventy-four years with the travelling circus. He recalls how he was drawn to the ‘houses on wheels’ (58) and was ‘interested in the case and handling horses’ (59). James states that he approached new challenges in the circus with as much enthusiasm and dedication possible, as he knew that he had found a home in the circus and did not want to lose it. Although the circus is a place of freedom and expression, Linda Simon reiterates how life and work in the circus was a ‘hard reality’ as many roles in the circus were still physically demanding and the circus was ultimately a ‘business’ (26) and had to ensure a good performance for a consistent income. James began in the circus as a horse manager, and he looks back with fondness at this role as it gave him his first footing in showbusiness and allowed him to discover a new identity as part of the circus community.
He recalls how during performances in the circus, his task was ‘to take the horses not actually wanted in the ring … to a field to graze, and bring them back when we were on the move again’ (59). There is a sense from James’ writing that although he did not find his role demanding, he found much
James notes that the busiest time in the circus calendar was Easter and during this time every member of the circus had to put their fair share of work into preparing the circus for the ‘holiday fair’ (84). James states that he was ‘handy with [a] paintbrush’ (84) and that this key skill made him a handyman around the circus. There is a sense from James’ words that the circus had high expectations of its community, as only through ‘getting everything clean and bright’ (84) would they be able to attract an audience and maintain a living for their way of life. James talks in great detail about a time when the circus arrived at the London Holiday Fair and how this event ‘meant very hard work’ (84), as they were on the go from ‘first thing in the morning till the last thing at night’ (84). This dedication to work was expected, as even when a show was not on in the ring, they were expected to be part of a circus parade to build momentum for the next show in the ring. After the holiday fair, James states that everybody had worked to the point that they ‘were all stiff and sore’ (85).
During one of these holiday fairs, James states that one of the main circus acts ‘was taken ill in the ring’ (85). This ‘old man’ was a second father to James and he insisted that if he rehearsed his act and worked hard, that he soon could be known as ‘the boy Jester’ (86). During the time of the old man’s illness, James was asked if he would like to try out the Jester’s act, as he knew ‘all his gags’ (88). James states that he ‘was amazed’ (88) to receive this opportunity and would try his best. James faced the country folk with as much ‘confidence’ (89) and gusto possible, resulting in a roar of ‘applause’ (89). James was astonished at his ability to face the crowd, as he had never before been in the position to entertain other people. From this point, James learnt of his ability to amuse an audience and this informed his desire to become a circus showman in his own right.
Bibliography:
‘James H. McKenzie’ in John Burnett, David Vincent and David Mayall (eds) The Autobiography of the Working Class: An Annotated, Critical Bibliography1790-1945, 3 vols. (Brighton: Harvester, 1984, 1987, 1989): 1:473
McKenzie, James H. ‘Strange Truth. The Autobiography of a Circus, Showman, Stage and Exhibition Man’, Burnett Archive of Working Class Autobiographies, University of Brunel Library, Special Collection Library, 1:473
Simon, Linda. (2014). The Greatest Shows on Earth: A History of the Circus.
Reaktion Books, pp. 24-55.
Proof read by Sera – click to look at Sera’s Circus Post
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